
Take a Tour to Pueblo Grande Museum in Phoenix: Admiring the Ancient Hohokam Culture
Pueblo Grande Museum began as one man's dream to protect the Salt River Valley from complete annihilation following years of development and over-farming. In 1924, Thomas Armstrong pays for the podium mound that is center of the Museum ruins and the surrounding three acres before donating the land to the City of Phoenix.
At the same time, the city officials were persuaded to purchase an extra ten acres around the platform mound that contained well preserved remnants of an aqueduct and canal irrigation system that serviced the entire area.
Irrigation canals where essential to the early area developments and was demonstrated in advance techniques in the field of engineering, it is known as the Park of Four Waters. These days, remains of this canal still continue to amazed tourists as well as the native individuals, it is because of the fact that it is one of the main proof of the people first hand innovative designs.
Through the years, there are additional lands which are acquired by the city itself and the currently Pueblo Grande Museum Park Site, it encompasses a hundred and two acres which is dedicated to preserving the ruins of Hohokam and gives interpretative museum lectures, interpretative programs, as well as archaeological study.
The different Hohokam wreck at close by Casa Grande Ruins National Monument, Pueblo Grande Museum and Archaeological Park is not a federal park and remains one of the few City-owned archaeological sites in the country. A blend of genuine ruins and mock-up buildings Pueblo Grande Museum and Archaeological Park serves to educate and inspire visitors with lessons from the ancient Hohokam.
As the irrigation system was highly developed for the time, there were creative artists well known for their beautiful tapestries and intricate jewelry designs. More than a few present exhibits in the Museum glee visitors with images of life in the village and examples of actual pottery, jewelry and textiles. Samples of this artwork from other indigenous people are also on exhibit, chiefly those from inhabitants of Salt River Valley like the Maricopa and Pima peoples.

